Liliane Lijn

Lijn is an artist who attends to the past and to memory and the place name evokes a Proustian memory – that of the instrument which opens the vistas of involuntary memory, a persistent image, just as the whirling units of classical culture re-combined into a new but also primordial spectacle.
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Lijn made the hand held Poem Wheels during a period when she lived in Greece in a house without electricity. Lijn was busy building the house and these were the first art works she made there. She thought they might be used the way Greek men used worry beads.
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This series of works was inspired by reflections seen through a porthole on a trip from Brindisi to Greece in the summer of 1961. Lijn wanted to find a way to see luminous reflections which appeared like drops of water moving across a transparent window.
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This series of works was inspired by reflections seen through a porthole on a trip from Brindisi to Greece in the summer of 1961. Lijn wanted to find a way to see luminous reflections which appeared like drops of water moving across a transparent window.
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Cuttings were a development of Lijn’s first experiments with clear acrylic, ‘Fire Lines’, and represent her first attempt to generate an energetic vibration through the use of repetitive elements.
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Lijn wanted the word to be seen in movement, dissolving into a pure vibration until it became the energy of sound.
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