Liliane Lijn

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All 16 /Installation 16

Sunstar, 2018

Sunstar is a large-scale interactive solar installation in the landscape that makes the solar spectrum visible as a brilliantly clear light on the horizon, just at the meeting point of earth and sky.
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Caution Matter, 2012

Caution Matter is an immersive moving image presentation that explores connections between invisible energies, latent both in ancient archetypes and myths and in the huge diversity of transformational technologies operative today.
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Solar Beacon, Golden Gate Bridge, 2012

Solar Beacon is a sci-art installation on top of the two towers of the Golden Gate Bridge that reflects the Sun's light throughout the San Francisco Bay Area, celebrating the man-made structure's 75th anniversary. It is a white-light variation of Solar Hills, the ongoing collaboration between John Vallerga and Liliane Lijn to delineate the horizon with point of spectral light. Observers of Solar Beacon will see two points of white light, one on each tower top, that are as bright as the Sun, but much smaller in size.
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Burma Requiem, 2008

These images are Lijn's memories of a country, its people and culture, past and present.
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Ruins of Kasch, 2008

The title of this work is taken from The Ruin of Kasch by Roberto Calasso, a book about the history of sacrifice.
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Sweet Dreams, 2002-2011

Sweet Dreams is a triptych installation of luminous voice interactive sculptures. A self-portrait of the dreamer and the dream.
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Lilith, 2001

Lilith burns with the fire of passion and unquenchable life. Fire deposits carbon shadows on the bronze of the sculpture. Carbon is the essential element of life.
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Paradise Lost, 2000

One of five digital film installations that place Lijn's earliest memories within different parts of her body.
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Lavender Queen, 2000

One of five digital film installations that place Lijn's earliest memories within different parts of her body.
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Seagate: The Sea in My Elbow, 1996-1998

One of five digital film installations that place Lijn's earliest memories within different parts of her body.
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moonmeme, 1992 – 2019

In a work that demonstrates the interlocking of opposites, Lijn writes the single word SHE across the moon in letters large enough to be seen from earth.
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Electric Bride, 1989

The figure of the Electric Bride stands in a steel enclosure, which separates her from our world. Electric Bride and the cage are connected by an electric current, which is made visible in the form of 9 red-hot wires. A glass head pulses with strobe light and a whispered text is heard.
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The Bride, 1988

The Bride is a caged being, pulsating with repressed energy.
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Conjunction of Opposites: Lady of the Wild Things and Woman of War, 1986

Two mixed media performing sculptures enact a computer controlled 6 minute drama which includes movement, song, the transformation of sound to light, and a laser display.
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Threes, 1974-1975 / 1990

Threes, is a group of six similar sculptures which can be arranged to occupy a space in changing configurations. The different juxtapositions influence the way the movement of each cylinder is perceived in relation to the others.
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Denslens, 1974 – 1975

Denslens was one of four sculptures made in 1974 using a wire-wrapped rotating cylinder and an emblematic lens.
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All content © Liliane Lijn 2019
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