All 7 /Sculpture 4 /Works 7 /Works on Paper 2

Solar Cutting, 1961/2005

Cuttings were a development of Lijn’s first experiments with clear acrylic, ‘Fire Lines’, and represent her first attempt to generate an energetic vibration through the use of repetitive elements.
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Cuttings, 1961

Cuttings were a development of Lijn’s first experiments with clear acrylic, ‘Fire Lines’, and represent her first attempt to generate an energetic vibration through the use of repetitive elements.
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Angular Cutting, 1961/2005

Cuttings were a development of Lijn’s first experiments with clear acrylic, ‘Fire Lines’, and represent her first attempt to generate an energetic vibration through the use of repetitive elements.
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Cuttings, 1961

Cuttings were a development of Lijn’s first experiments with clear acrylic; 'Fire Lines', and represent her first attempt to generate an energetic vibration through the use of repetitive elements.
read more

Fire Lines series, 1960

In 1960, Lijn began to experiment with plastic using fire. She drew in the air with vibrating, molten sticks of colored plastic called Tefelstuck, creating fine webs of colored lines that settled and bonded with the surface of acrylic sheets (with the help of a small torch).
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The Beginning, 1959

Lijn thinks of this drawing as an archetype of her work. In it she created a cosmic map of her own beginning.
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Sky Scrolls, 1959 -1961

Sky Scrolls are the first works Lijn made in a series. They were influenced by her interest in Chinese horizontal scrolls and her love and fascination with the sky. 
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All 7 /Sculpture 4 /Works 7 /Works on Paper 2
Page 42 of 42«‹404142
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