Magma Clasp Belt (triangle), 2011

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Meteorite Ring B, 2008

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Rock Ring B, 2011

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Fossil Belt, 2010

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Am I Who, 2010

Whether Lijn work with a poet’s words or her own text, she wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
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Cabaret Futura

The Paradise, Kensal Green, London

21st June 2010

Invited to perform at Richard Strange's resurrection of his 1980's Cabaret Futura, Lijn performed Poem Game. Inviting two audacious members of the audience to join her on stage, she used her especially designed word-cards to write a poem.
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Magma Clasp Belt, 2010

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Power Game, BALTIC, Newcastle

5th March 2010

Originally staged by Liliane Lijn in 1974 and renacted at the ICA in 2009, Power Game is concerned with the power of words and how people interpret meaning depending on their interests and preconceptions.
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