All 16 /Design 1 /Exhibitions 1 /Group Exhibitions 1 /Public Sculpture 2 /Publication 1 /Sculpture 7 /Works 14 /Works on Paper 4

It’s A Girl, 1996/98

One of five digital film installations that place Lijn's earliest memories within different parts of her body.
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Inner Light II, 1996-2003

The central concept is of light held within matter.
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Great Neck: Shouldering the Burden of Childhood, 1996-98

One of five narrative sculptures that place Lijn's earliest memories within different parts of her body.
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Artist’s Book Fair, Royal Festival Hall, London

Triangles, 1994/1995

Striped Koans, 1994-1999

Lijn is interested in the effect of multiple layers of colour laid on the cone as it revolves at a high speed.
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Darker Me, 1995

Darker Me references to Eros and the instinctual drives so often suppressed in women. It is Liliane Lijn's first self portrait.
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Fierce Archetypes, 1988-1994

In the 1980’s Lijn’s work was imbued with mythological and archetypal images. Lijn was uncovering different and new aspects of the feminine which were greatly nourished by her interest in a large spectrum of materials and technical processes.
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Female Figures, 1984 -1994

Inanna, works on paper, 1994 – 1991

Inner Light I, 1994

Having made Inner Light in 1993, a large public work in Reading in which light was virtually imprisoned in stone seeping through a thin gap, Lijn wanted to make a work in which light infused the stone.
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Dragon’s Dance, 1994

Like many of Lijn’s works Dragons Dance invites the viewer to play an active role, the solid bronze members and the open spaces between them weaving a dance of light and form that changes as one moves around the sculpture.
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Dark Angel, 1994

The idea of having wings whose weight inhibits flight expresses the frustration of so many desires.
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Liliane Lijn: Poem Machines, 1962-1968

National Art Library, Victoria & Albert Museum, 1993
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Words To Walk On, 1993

Commissioned by Christopher Farr, Lijn designed a series of 4 rugs all using collaged and cut-up words. Meaning and pattern interweave and are altered by the direction from which the rug is approached or seen.
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Inner Light, 1993

The central concept is that of energy held within matter.
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All 16 /Design 1 /Exhibitions 1 /Group Exhibitions 1 /Public Sculpture 2 /Publication 1 /Sculpture 7 /Works 14 /Works on Paper 4
Page 25 of 40«‹2324252627›»
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