All 16 /Installation 1 /Performance & Interactive 1 /Public Sculpture 1 /Publication 1 /Sculpture 10 /Works 14 /Works on Paper 3

Imagine the Goddess: Liliane Lijn

Fischer Fine Art, 1987
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O Lily Lilith, 1987-1990

Lijn began to experiment in the factory using colour and blowing the glass into metal which wrapped itself around the molten forms, taking on the patterns of the spinning motion used when blowing glass.
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Zig Zag Blues, 1987

Using formal geometric elements, Lijn creates an organic serpentine form by varying the relationship between the single elements.
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Torn Head, 1987-1990

The change from solid optical glass prisms to hot blown glass marked a shift in Lijn's work from the purely metaphorical to the intensely personal. Whereas Lijn's Prism Heads transformed light, her Torn Heads expressed emotion.
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Inner Portraits, 1987-89

These drawings are midway between archetypal female images and a movement towards work in which Lijn looked directly at herself.
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Headborn, 1987 – 1990

The title of this sculpture implies birth from the head. The word conception means both birth and idea, conceiving in the womb and in the mind.
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Cosmic Wings, 1986

Brooding Head, 1986-90

In 1987 Lijn began to work with hot glass in the Hergiswil Glassi on a series of torn exploding heads. The Glassi is a traditional glass factory on the shore of Lake Luzern, a huge wooden building where glass is blown by a number of craftsmen all grouped on a stage around a central furnace or pot where the glass is melte
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Woman of War, 1986

Lijn wanted the sculpture to come alive and decided that it would enact the drama of the song. It then became apparent that Woman of War would sing to Lady of the Wild Things which would respond to the song with light.
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She drawings series, 1984-1986

She was the title Lijn gave to a series of numerous drawings, which she began in order to find a new image for what she felt was the essence of the feminine.
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Conjunction of Opposites: Lady of the Wild Things and Woman of War, 1986

Two mixed media performing sculptures enact a computer controlled 6 minute drama which includes movement, song, the transformation of sound to light, and a laser display.
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Blue Buzzing Bee, 1985

It seems that the origins of saintly halos derive from the historical fact that bees were seen to swarm around the heads of Hindu and Buddhist saints.
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Basket Head, 1985

Lijn sees Head-Dresses as extensions of the Head. Anything worn on the head is also part of it and expresses it’s powers and restrictions. As in the veil or the mask worn by women to conceal and suppress them.
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She Bird, 1985

Big Spotted Ruby, 1984/1985

A sculpture comprising of horizontal sheets of Mica attached to a copper wire structure that give the piece an organic form like fungus or a desert rose.
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Red Net, 1985

Lijn sees Head-Dresses as extensions of the Head. Anything worn on the head is also part of it and expresses it’s powers and restrictions. As in the veil or the mask worn by women to conceal and suppress them.
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All 16 /Installation 1 /Performance & Interactive 1 /Public Sculpture 1 /Publication 1 /Sculpture 10 /Works 14 /Works on Paper 3
Page 27 of 40«‹2526272829›»
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