All 16 /Documentation 2 /Exhibitions 1 /Publication 1 /Sculpture 11 /Solo Exhibitions 1 /Works 12 /Works on Paper 1

In the Valley of Darkness, 1973

This is the first of Lijn's works that speaks about Light contained within Darkness. The idea of light within darkness, or spirit within matter is central to her work.
read more

White Koan, Bankside, 1972

White Koan, Plymouth, 1972

Forcefields, 1970-1972

In the late 60’s Lijn began experimenting with Letrafilm on paper. In this series, Lijn uses simple forms and much like her series Flowlines, the works explore the relationships between these forms. Through layering the Letrafilm, Lijn is able to create different dimensions and subsequently depth to the image. 
read more

In Sua Memoria, 1972

The first in a series of works called Rites of Passage, In Sua Memoria is a memorial to Lijn’s father who fell ill and died while she was making the sculpture.
read more

Liliane Lijn | Germain Gallery

Germain Gallery, Paris. 1972.
read more

Crystal Clusters (Rectangular), 1972

One of a series of 9 Crystal Clusters, works using periscope prisms made for 2nd WW Centurion tanks.
read more

Crystal Clusters (Small), 1972

One of a series of 9 Crystal Clusters, works using periscope prisms made for 2nd WW Centurion tanks.
read more

Crystal Clusters (Large), 1972

One of a series of 9 Crystal Clusters, works using periscope prisms made for 2nd WW Centurion tanks.
read more

Crystal Cluster (Rhomboid), 1972

One of a series of 9 Crystal Clusters, works using periscope prisms made for Second World War Centurion tanks.
read more

Rites of Passage, 1972

Rites of Passage belongs to a series that celebrate the moments of passage between different states of consciousness.
read more

Three Who See, 1972

Lijn was fascinated by the use of prisms as tools for vision in both industry and war. Here were materials which were used both for destruction and creation. Not only that, they were real tools for vision, enabling people not only to see and sight from within bind boxes, but also to see within solid matter by analysing the spectrum of light given off by gases, for example in distant stars.
read more

Tarahumaras, 1972

Lijn was fascinated by the use of prisms as tools for vision in both industry and war. Here were materials which were used both for destruction and creation. Not only that, they were real tools for vision, enabling people not only to see and sight from within bind boxes, but also to see within solid matter by analysing the spectrum of light given off by gases, for example in distant stars.
read more

Crystal Steps, 1972

Lijn was fascinated by the use of prisms as tools for vision in both industry and war. Here were materials which were used both for destruction and creation. Not only that, they were real tools for vision, enabling people not only to see and sight from within bind boxes, but also to see within solid matter by analysing the spectrum of light given off by gases, for example in distant stars.
read more

Flikker book: Liliane Lijn

Alecto International, 1972
read more

Linear Light Forest, 1972

A transformable sculpture, each cylinder can be moved to different base positions on the platform which creates each time a differently configurated work.
read more
Page 34 of 42«‹3233343536›»
All 16 /Documentation 2 /Exhibitions 1 /Publication 1 /Sculpture 11 /Solo Exhibitions 1 /Works 12 /Works on Paper 1
Page 34 of 42«‹3233343536›»
Scroll to top