All 16 /Documentation 2 /Exhibitions 1 /Publication 1 /Sculpture 10 /Solo Exhibitions 1 /Works 12 /Works on Paper 2

Feathered Lady, 1979

In this sculpture Lijn decided to use soft, luxurious and possibly gender specific materials.
read more

Hayward Gallery, 1978

Lunar Traces, 1978

Lunar Traces marked an expansion in Lijn's use of colour, following the series Flow Lines.
read more

Saurian, 1978

The Prism Stone series continues Lijn’s work exploring the possibilities in which extreme opposites can come together and embrace one another in a strange but fruitful synergy.
read more

Nahhash, 1978

The Prism Stone series continues Lijn’s work exploring the possibilities in which extreme opposites can come together and embrace one another in a strange but fruitful synergy.
read more

Moonbrow, 1978

The Prism Stone series continues Lijn’s work exploring the possibilities in which extreme opposites can come together and embrace one another in a strange but fruitful synergy.
read more

Lenscape, 1978

The Prism Stone series continues Lijn’s work exploring the possibilities in which extreme opposites can come together and embrace one another in a strange but fruitful synergy.
read more

Four Figures of Light, 1978

These figures are human scale and are meant to be seen in relation to men and women. When Lijn made them she realised that she was going to try to find a new human image.
read more

Flow Lines, 1975-1977

A series of ink drawings composed of the same repeated mark on paper.
read more

Touchstone, 1977

The Prism Stone series continues Lijn’s work exploring the possibilities in which extreme opposites can come together and embrace one another in a strange but fruitful synergy.
read more

Mad Eye, 1977

The Prism Stone series continues Lijn’s work exploring the possibilities in which extreme opposites can come together and embrace one another in a strange but fruitful synergy.
read more

Firespine, 1977

The Prism Stone series continues Lijn's work exploring the possibilities in which extreme opposites can come together and embrace one another in a strange but fruitful synergy.
read more

Beyond Light: Liliane Lijn, Bill Culbert, published by Serpentine Gallery, 1977

The catalogue was published on the occasion of the 1977 exhibition organised by Sue Grayson. It includes an interview with Liliane Lijn conducted in her studio in 1976 by Asa Benveniste.
read more

Wave Guide: A Counterpoint in 15 Parts, 1977-1978

The light line is an irrational code, a way the surface has of speaking. It indicates precisely all the changes made to the surface of the cylinders in what appears as a four dimensional space-time metaphor.
read more

Serpentine Gallery, 1976

Beyond Light | Serpentine Gallery

Serpentine Gallery, London. 1976.
read more
Page 32 of 42«‹3031323334›»
All 16 /Documentation 2 /Exhibitions 1 /Publication 1 /Sculpture 10 /Solo Exhibitions 1 /Works 12 /Works on Paper 2
Page 32 of 42«‹3031323334›»
Scroll to top