Women Concrete Poets Who Pushed Against the Limits of Language (and Patriarchy), published in Hyperallergic Magazine, October 5, 2020
An article for online magazine Hyperallergic, by Cassie Packard which covers the anthology “Women in Concrete Poetry: 1959-1979”, published by Primary Information, and which features Liliane Lijn’s series Neurographs.
You can read the full article here.
” Women concrete poets are generally lesser known than their male counterparts; one poet, Tomaso Binga, drove the message home when she playfully but pointedly adopted a male name. This new release is a welcome antidote to the bulk of concrete poetry anthologies that focus on men (with an occasional appearance by Mary Ellen Solt, an American poet and editor who compiled one of the first anthologies herself).”
