![](https://www.lilianelijn.com/wp-content/uploads/2022/11/Veiled-1-1.jpg)
Veiled, 2020
Referencing both tribal architecture and a veiled female presence, Veiled’s form recalls the conical skeleton of a thipi (or tipi), a tent traditionally made of animal skins draped on wooden poles.
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Through Which The Light Passes: Yong Min Cho’s performance with Liliane Lijn
Performance
28 March 2021 at Ragged School Museum
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![](https://www.lilianelijn.com/wp-content/uploads/2020/10/Catastrophic-Encounters-10d--scaled.jpg)
Catastrophic Encounters
Catastrophic Encounters exemplifies Lijn’s interest in the life of different materials and how they interreact.
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Sunstar at Mt. Wilson beamed across Pasadena for 4th of July celebrations
The 2018 art installation was beamed in celebration of the United States's Independence Day.
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Power Hanky, 2020
Made during the peak of the coronavirus pandemic, this LRRH_ Contribution edition is a tribute to an almost forgotten accessory of personal hygiene: the handkerchief.
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![](https://www.lilianelijn.com/wp-content/uploads/2019/10/86A1599-copy-2.jpg)
Gravity’s Dance, 2019
The kinetic sculpture Gravity's Dance emerged from Liliane Lijn's artist residency at EGO, the European Gravitational Observatory, in Pisa.
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Power Game with Liliane Lijn at TATE Modern
Live performance with Liliane Lijn Friday 6 December 2019
Tate Exchange
Level 5, Blatavnik Building
Tate Modern
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Converse Column, 2019
Nexus, Leeds University has commissioned the permanent installation Converse Column.
A nine-meter high revolving column of transforming words, Converse Column is sited adjacent to Nexus, the University’s new centre, designed to inspire collaboration and innovation with real world impact.
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A nine-meter high revolving column of transforming words, Converse Column is sited adjacent to Nexus, the University’s new centre, designed to inspire collaboration and innovation with real world impact.
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![](https://www.lilianelijn.com/wp-content/uploads/2020/04/Screenshot-2020-04-14-15.04.08.png)
Fossil Twist, 2018/2019
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2020/04/Screen-Shot-2020-04-14-at-14.50.52.png)
Cosmic Sea I, 2019
I am interested in the behaviour of different materials and how they interact with each other. Cosmic Fragments are traces of a collision between an ancient material, glass, and a new composite material, Vapourshield, designed to prevent metal vapour from passing through the walls of the crucible in induction furnaces.
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Sunstar at Mt. Wilson
30 June - 1 July 2018
Pasadena, Griffith Observatory, LA - USA
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![](https://www.lilianelijn.com/wp-content/uploads/2020/04/Screen-Shot-2020-04-14-at-14.45.12.png)
Sunstar, 2018
Sunstar is a large-scale interactive solar installation in the landscape that makes the solar spectrum visible as a brilliantly clear light on the horizon, just at the meeting point of earth and sky.
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![](https://www.lilianelijn.com/wp-content/uploads/2020/04/Screenshot-2020-04-14-14.35.58.png)
Holding Stone, 2018
A limited edition produced in an industrial foundry that has operated for more than 100 years in Piraeus, Greece.
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![](https://www.lilianelijn.com/wp-content/uploads/2020/04/Screenshot-2020-04-14-14.25.33.png)
Antidote Box, 2018
A sculpture produced for the 3rd International Mykonos Bienniale, titled 'Trans Allegoria' curated by Lydia Venieri.
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