Spinning Dolls, 2016

Il Museo della Canapa, Sant’Anatolia di Narco in Italy has commissioned the permanent installation titled Spinning Dolls.
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Winning Words, 2014

Winning Words editions are based on Lijn’s Oracular Keys, a set of cards created in 1964 for the first staging of her Power Game performance, at the Royal College of Art
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Memory, 2014

In 1993, Lijn designed a series of carpets she called Words to Walk On, all using collaged and cut-up words. Meaning and pattern interweave and are altered by the direction from which the rug is approached or seen.
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Peace Koans, 2013

Liliane Lijn has created sculptures based around the form of the koan since the sixties. This body of work, within her whole practice, is subject to great variety and subtlety.
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Magma Brooch, 2013

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Magma Ring, 2013

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Lava Leaf Silver Pendant, 2013

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Glass Wave Plates, 2012

Lijn has used glass in her work, since the 1960’s. The Glass Wave Plates were originally made as playful experiments, while she was working on her Torn Heads series at the Hergiswil Glasi in Switzerland.
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