
Mountain Koans (Striped Koans), 2009/14
Liliane Lijn has created sculptures based around the form of the koan since the sixties. This body of work, within her whole practice, is subject to great variety and subtlety.
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Memory, 2014
In 1993, Lijn designed a series of carpets she called Words to Walk On, all using collaged and cut-up words. Meaning and pattern interweave and are altered by the direction from which the rug is approached or seen.
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Broadcast of Liliane Lijn’s Crossing Map on Resonance 104.4 FM 2011 / 2014
Liliane Lijn serialised her book Crossing Map for Resonance 104.4 FM. She performed live for 30 minutes starting at 1pm every Sunday from June 12th to July 3rd 2011 during the course of the exhibition Gone With The Wind at Raven Row. In 2014, Liliane Lijn read the entire 15 Songs of Crossing Map for Resonance 104.4 FM in collaboration with sound artist Sharon Gal.
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Magma Clasp Belt (square), 2011
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Peace Koans, 2013
Liliane Lijn has created sculptures based around the form of the koan since the sixties. This body of work, within her whole practice, is subject to great variety and subtlety.
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The Dance, 2013
Model for a performing sculpture, shortlisted for the 4th Plinth, Trafalgar Square, London.
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Magma Brooch, 2013
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Liliane Lijn’s interview with Simon Tyszko for Isotopica @ Resonance FM
April 23rd 2013
Listen again to Liliane Lijn's interview with Simon Tyszko for Isotopica on Resonance FM
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Magma Ring, 2013
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed.
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Lava Leaf Silver Pendant, 2013
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Lunar Cuff (silver), 2009 – 2017
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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The Paestum Collages, 2011-
The Paestum Collages look at the imagery of ruins as fragmented memories and interleave them with a mythology of heavy industry.
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Glass Wave Plates, 2012
Lijn has used glass in her work, since the 1960’s. The Glass Wave Plates were originally made as playful experiments, while she was working on her Torn Heads series at the Hergiswil Glasi in Switzerland.
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Cosmic Fragments, 2012
Cosmic Fragments exemplifies Lijn’s interest in the life of different materials and how they interreact.
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Caution Matter, 2012
Caution Matter is an immersive moving image presentation that explores connections between invisible energies, latent both in ancient archetypes and myths and in the huge diversity of transformational technologies operative today.
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Light Pyramid, 2012
Commissioned by MK Gallery and Milton Keynes Parks Trust as a sculpture beacon. Geometry and Light are the guiding threads of Lijn's work. The central concept of this sculpture is that of energy held within matter.
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