
Meteorite Ring C, 2008
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Meteorite Ring B, 2008
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Folded Ring B, 2008
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Rock Ring B, 2011
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Comet Cuff, 2008
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed.
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Magma Ring, 2013
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed.
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Veiled, 2020
Referencing both tribal architecture and a veiled female presence, Veiled’s form recalls the conical skeleton of a thipi (or tipi), a tent traditionally made of animal skins draped on wooden poles.
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Through Which The Light Passes: Yong Min Cho’s performance with Liliane Lijn
Performance
28 March 2021 at Ragged School Museum
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Catastrophic Encounters
Catastrophic Encounters exemplifies Lijn’s interest in the life of different materials and how they interreact.
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Sunstar at Mt. Wilson beamed across Pasadena for 4th of July celebrations
The 2018 art installation was beamed in celebration of the United States's Independence Day.
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Power Hanky, 2020
Made during the peak of the coronavirus pandemic, this LRRH_ Contribution edition is a tribute to an almost forgotten accessory of personal hygiene: the handkerchief.
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Gravity’s Dance, 2019
The kinetic sculpture Gravity's Dance emerged from Liliane Lijn's artist residency at EGO, the European Gravitational Observatory, in Pisa.
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Power Game with Liliane Lijn at TATE Modern
Live performance with Liliane Lijn Friday 6 December 2019
Tate Exchange
Level 5, Blatavnik Building
Tate Modern
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