Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth. read more
England & Co, London
May - June 2006
A retrospective exhibition curated by David Alan Mellor and accompanied by a publication inspired by Signals, the Signals Gallery catalogues and journal published in the 1960's. read more
Austin Desmond Gallery, London
April - May 2006
A selection of works spanning four and a half decades, the exhibition was curated by Catriona Colledge. read more
Lijn’s concept of sculpture is that no part of it should be unnecessary. She wanted to design a slide that both in concept and form would be an integral part of the sculpture. read more
It was a great challenge to conceive of a sculpture that was also a helter-skelter. To mould a spiral slide into a cone was an extremely complex technical problem. read more
Niccone Valley, Italy. In 2004 I decided to remake the Koans, which I had originally made in 1969 and exhibited at the Hanover Gallery in London. read more