Linear Light Forest, 1972

A transformable sculpture, each cylinder can be moved to different base positions on the platform which creates each time a differently configurated work.
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Homage to Milarepa, 1972

This is a work in a series of sculptures called Rites of Passage. Jetsun Milarepa was a great Tibetan poet saint who lived around 1000 A.D. Lijn read his teaching while living in retreat in Greece in the early 1960’s. His life and words were of great importance to her.
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Breathing Tower, 1971

In 1971, Liliane Lijn proposed Breathing Tower for a commission for the Hayward Gallery's roof in London. The pulse - the breath - would take the form of Thames water being raised by hydraulics to change the shape of the mutable, ziggurat sculpture.
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Liquid Light, 1971

The oscillating line of reflected light on each cylinder acts as a system of signals that describes spatial changes occurring on the surface of the cylinder.
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Light Line to Infinity, 1971-1972

Most of the Linear Light Columns were vertical, although the earliest large one had been horizontal. In Light Line to Infinity Lijn has narrowed down the copper cylinder to concentrate on the line of light.
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Light Columns, 1971

The oscillating line of reflected light on each cylinder acts as a system of signals that describes spatial changes occurring on the surface of the cylinder.
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Koancuts (Prints), 1971

Koancuts are prints which Lijn made during the same period as the conical sculptures Anti-Gravity Koan, Space Displace Koan, and Exit Matter Koan which were the first large sculptures in her ongoing Koan series.
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White Koan, 1971

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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