Landlines, 1973

Inspired by a trip through the French Alpilles, during which Lijn watched the horizon continually change shape, she decided to make a 2 dimensional artwork which would be an image of continual change.
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Koancuts (Prints), 1971

Koancuts are prints which Lijn made during the same period as the conical sculptures Anti-Gravity Koan, Space Displace Koan, and Exit Matter Koan which were the first large sculptures in her ongoing Koan series.
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Industrial Landscapes, 1971

Fascinated by the processes and images of industry and in particular the network of industry which creates and distributes electricity, the energy upon which our society is based, Lijn created this series of silkscreen prints.
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Liquid Reflections (Multiple), 1968

Liquid Reflections were Lijn’s first and most complex works with water and light. The Liquid Reflections series, inspired by her interest in astronomy and the physics of light, was the outcome of 5 years of experimental work with plastics and fire, acrylic polymers, lenses, prisms, light and finally water.
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