Mars Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
read more

Clear Red Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
read more

Acid Lava Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
read more

Clear Light Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
read more

Three Line Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
read more

Heavenly Fragments, 2008

A disc and a cone of aerogel have broken into fragments. Each installation is an attempt at renewal but can only represent a fragmented memory, a ruin.
read more

Liberate Heart, 2007

Whether Lijn work with a poet’s words or her own text, she wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
read more

Lost Koan, 2007

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
read more

Red Line Koan, 2007

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
read more

Fire Ice, 2007

Whether she works with a poet’s words or her own text, Lijn wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
read more

Prism Rings, 2006-2025

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more

Folded Ring A, 2008

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more

Starslide, 2005

Lijn’s concept of sculpture is that no part of it should be unnecessary. She wanted to design a slide that both in concept and form would be an integral part of the sculpture.
read more