First Words, 2000

Lijn’s plan is to collect 2000 first words: a word for each year since the birth of Christ. The ‘children’ in question can be grownups now as long as their first word is either remembered or documented.
read more

Fire my Soul, 2000

Fire My Soul is concerned with human suffering. The experience of a masectomy, the fear of death, and the mutilation of the female body. In this sculpture Lijn salutes all women who have been struck by breast cancer. It is a memorial to their suffering and to their strength.
read more

Weapon of Time, 1999

Liliane Lijn has created sculptures based around the form of the koan since the sixties. This body of work, within her whole practice, is subject to great variety and subtlety.
read more

Time’s Rhythm, 1999

Lijn wants words to be interchangeable with colour. Whether she works with a poet’s words or her own text, she wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
read more

Floral Memories, 1998

Playing with reject pages from Her Mother’s Voice and fallen petals or flowers past their prime, Lijn used both watercolour to blur the printed words and faded flowers as an evocation of the nostalgia of time gone by.
read more

Land Sea Light Koan, 1997

In Land Sea Light Koan Lijn return to striped cones she made in 1966 which she called Highway Cones. The numerous bands of colour reminded Lijn of the rings of Saturn. The cone is a cosmic astronomical form.
read more

Stone Koans, 1997

In Stone Koans Lijn concentrates on the geometry, and the relationship between the different qualities of stone.
read more

A for Elm, 1996

Whether Lijn works with a poet’s words or her own text, she wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
read more

Her Mother’s Voice, 1996-98

In Her Mother’s Voice Lijn asked her mother to remember her life. She then transcribed the oral tapes, endeavouring to retain the unique character of her voice. Her Mother's Voice focuses on memory and an individual's history, which is also the history of the artist and on a broader scale that of the forced exoduses and resettlements of a generation of Russian and European Jews.
read more

My Body My Self, 1996

The finished work portrays simultaneously the physical body and the psyche. It is both fragmented and yet whole, layered and luminous. Its fragility and its aggressive power convey the tensions between the inner and the outer self.
read more

Music Children, 1996

Whether Lijn works with a poet’s words or her own text, she wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
read more