![](https://www.lilianelijn.com/wp-content/uploads/2016/12/Fossil-Belt-1.jpg)
Fossil Belt, 2010
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/06/Poemcon-Am-I-Who-003.jpg)
Am I Who, 2010
Whether Lijn work with a poet’s words or her own text, she wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
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![](https://www.lilianelijn.com/wp-content/uploads/2020/06/Screenshot-2020-06-09-14.22.41.png)
Koan Table, 2010
3 glazed ceramic cones made by Rometti, Italy and sand-blasted low-iron glass top.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/11/04-Magma-pendant.jpg)
Pendant G, 2009
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/11/Ring-1.jpg)
Rock Rings, 2009
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/06/Poemdrum-Faster-Than-Birds-002.jpg)
Faster Than Birds, 2009
Poemdrums are related to Lijn’s early work with text, Poem Machines (1962). Like the Poem Machines, they spin, disengaging words from the composed text.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/05/Poemdrum-Way-Out-Is-Way-In-004.jpg)
Way Out Is Way In, 2009
The 3-meter column is made from used industrial drums that are programmed to rotate at steadily increasing speeds until the words, a tracery of drilled holes, blur into vibrating pulses of light.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/12/lava-cuff.jpg)
Lava Cuff, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/12/U7X6362.jpg)
Lava Necklace, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/12/U7X6332.jpg)
Fossil Necklaces, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/12/U7X6420.jpg)
Pendant N, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/12/U7X6414.jpg)
Pendant H, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/12/U7X6407.jpg)
Pendant W, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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![](https://www.lilianelijn.com/wp-content/uploads/2016/12/Focus-Result.15-B-6-1.jpg)
Rock Cuff, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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