Mars Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Clear Red Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Acid Lava Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Clear Light Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Three Line Koan, 2008

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Heavenly Fragments, 2008

A disc and a cone of aerogel have broken into fragments. Each installation is an attempt at renewal but can only represent a fragmented memory, a ruin.
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Liberate Heart, 2007

Whether Lijn work with a poet’s words or her own text, she wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
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Lost Koan, 2007

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Red Line Koan, 2007

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Fire Ice, 2007

Whether she works with a poet’s words or her own text, Lijn wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
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Zero Gravity Koan, 2004

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Nested Foot, 2001

Lijn was walking barefoot on the island of Mykonos when, all at once, she realised that we are connected to the earth only through the soles of our feet. What energies, she wondered, might pass between the foot and the mother planet?
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Lilith, 2001

Lilith burns with the fire of passion and unquenchable life. Fire deposits carbon shadows on the bronze of the sculpture. Carbon is the essential element of life.
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