
Her Mother’s Voice, Deutchenfunk Radio, 2021
A Radio Play broadcast on Deutchenfunk Radio, based on Liliane Lijn's book of the same name, edited and translated by Gaby Hartel.
read more
read more
Ian RawesLiliane’s Lijn’s Performance of Crossing Map: an epic prose poem, in collaboration with sound artist Sharon Gal, as part of Aleksander Kolkowski’s exhibition The Exponential Horn, Media Space Studio, Science Museum, London, 2014
Liliane's Lijn's Performance of Crossing Map: an epic prose poem, in collaboration with sound artist Sharon Gal, as part of Aleksander Kolkowski’s exhibition The Exponential Horn, Media Space Studio, Science Museum, London, 2014
read more
read more

Liliane Lijn & Jennifer Higgie: Liquid Reflections, London Review Bookshop, 2025
A recorded conversation with Liliane Lijn about her memoir, life and work with Jennifer Higgie, art writer and critic, now available as a Podcast.
read more
read more

Liliane Lijn on Stella Snead, Bow Down: Women in Art History Podcast, 2019
The Bow Down Podcast from Frieze magazine. Season 1 Episode 7. Stella Snead, nominated by Liliane Lijn.
Liliane Lijn discusses the life and times of her friend, the late British surrealist painter, photographer and collage artist, Stella Snead, with author, art critic and former editor of Frieze magazine, Jennifer Higgie.
read more
read more
Pablo Volta, 2008Stardust Mission: Liliane Lijn, BBC Radio 4 Woman’s Hour, 2008
Jane Garvey interviews Lijn about her residency at NASA and how this inspired her latest artwork and exhibition "Stardust" at Riflemaker Gallery 22nd April - 5th July 2008.
read more
read more

Lava Cuff (Gold), 2025
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more
read more

Lava Leaf Gold Pendant, 2025
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more
read more

Fossil Necklace B (gold), 2025
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed.
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more
read more

Volcanic Landscape (silver), 2024
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more
read more

Shimmering, 2024
The kinetic sculpture, Shimmering by Liliane Lijn was commissioned by Haus der Kunst in Munich for the Arise Alive exhibition in 2024 which then toured to mumok in Vienna and Tate St Ives in the UK.
read more
read more

Volcanic Landscape (gold), 2024
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more
read more

Small Eruption (gold), 2024
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more
read more

Pompeiian Landscape (gold), 2024
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more
read more

Pompeiian Landscape (silver), 2024
In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more
read more

Veiled, 2020
Referencing both tribal architecture and a veiled female presence, Veiled’s form recalls the conical skeleton of a thipi (or tipi), a tent traditionally made of animal skins draped on wooden poles.
read more
read more

Power Game, The Photographers Gallery, 2022
Produced and created by Liliane Lijn, Power Game is both game and live performance. Power game explores the meanings misconceptions and the power and petty of words through spectacle and play.
read more
read more