Liliane Lijn

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All 16 /Works 9

Her Mother’s Voice, Deutchenfunk Radio, 2021

A Radio Play broadcast on Deutchenfunk Radio, based on Liliane Lijn's  book of the same name, edited and translated by Gaby Hartel.
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Ian Rawes

Liliane’s Lijn’s Performance of Crossing Map: an epic prose poem, in collaboration with sound artist Sharon Gal, as part of Aleksander Kolkowski’s exhibition The Exponential Horn, Media Space Studio, Science Museum, London, 2014

Liliane's Lijn's Performance of Crossing Map: an epic prose poem, in collaboration with sound artist Sharon Gal, as part of Aleksander Kolkowski’s exhibition The Exponential Horn, Media Space Studio, Science Museum, London, 2014
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Liliane Lijn & Jennifer Higgie: Liquid Reflections, London Review Bookshop, 2025

A recorded conversation with Liliane Lijn about her memoir, life and work with Jennifer Higgie, art writer and critic, now available as a Podcast.
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Liliane Lijn on Stella Snead, Bow Down: Women in Art History Podcast, 2019

The Bow Down Podcast from Frieze magazine. Season 1 Episode 7. Stella Snead, nominated by Liliane Lijn. Liliane Lijn discusses the life and times of her friend, the late British surrealist painter, photographer and collage artist, Stella Snead, with author, art critic and former editor of Frieze magazine, Jennifer Higgie.
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Stardust, Pablo Volta, 2008Pablo Volta, 2008

Stardust Mission: Liliane Lijn, BBC Radio 4 Woman’s Hour, 2008

Jane Garvey interviews Lijn about her residency at NASA and how this inspired her latest artwork and exhibition "Stardust" at Riflemaker Gallery 22nd April - 5th July 2008.
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Lava Cuff (Gold), 2025

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Lava Leaf Gold Pendant, 2025

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Fossil Necklace B (gold), 2025

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Volcanic Landscape (silver), 2024

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Shimmering, 2024

The kinetic sculpture, Shimmering by Liliane Lijn was commissioned by Haus der Kunst in Munich for the Arise Alive exhibition in 2024 which then toured to mumok in Vienna and Tate St Ives in the UK.
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Volcanic Landscape (gold), 2024

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Small Eruption (gold), 2024

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Pompeiian Landscape (gold), 2024

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
read more

Pompeiian Landscape (silver), 2024

In the Old Hebrew testament, ‘glebe’ was the primal earth, from which the first humans were formed. Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Veiled, 2020

Referencing both tribal architecture and a veiled female presence, Veiled’s form recalls the conical skeleton of a thipi (or tipi), a tent traditionally made of animal skins draped on wooden poles.
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Power Game, The Photographers Gallery, 2022

Produced and created by Liliane Lijn, Power Game is both game and live performance. Power game explores the meanings misconceptions and the power and petty of words through spectacle and play.
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All content © Liliane Lijn 2019
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