Soft Koan, 1981

Soft Cone is one of a group of sculptures which Lijn originally made in clay. She was particularly interested in the energy transferred from her hands to the clay.
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Circle of Light, 1980

The oscillating line of reflected light on each cylinder acts as a system of signals that describes spatial changes occurring on the surface of the cylinder.
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Windows, 1980

This figure owes its title to Lijn's interest in the function of windows, and to the metaphor of the prism as a window into matter.
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Heshe, 1980

With Heshe Lijn took the plunge into colour. As well as showing her interest in tactile surfaces rather than painted sculpture.
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Windows, 1979

Lijn layered brightly coloured pastels, rubbing some of the intensity out with white. At the time, she was interested in the surface of the sun and its constant ebullience.
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