Vivan Lynn / Liliane Lijn: A Synergy Spanning 1991 to 2021
Laura Castagnini reflects on the long-overdue revival of feminist art practices from the 1980s, and considers the striking parallels between Lynn’s work and her London-based counterpart, Liliane Lijn.
Article published by online New Zealand magazine Contemporary HUM, 2021.
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Article published by online New Zealand magazine Contemporary HUM, 2021.
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Breaking the Mould: Sculpture by Women Since 1945
Published by Hayward Gallery Publishing, 2020.
Breaking the Mould: Sculpture by Women since 1945 is the first publication to focus on women sculptors in Britain from the post-war period to today.
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Breaking the Mould: Sculpture by Women since 1945 is the first publication to focus on women sculptors in Britain from the post-war period to today.
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Language, Energy, Prototypes: The Poetry of Liliane Lijn, Celebrity Cafe #04
Published by Les Presses du Réel, 2020.
Liliane Lijn is interviewed by Eduardo Kac in "Langage, Énergie, Prototypes, La Poésie de Liliane Lijn".
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Liliane Lijn is interviewed by Eduardo Kac in "Langage, Énergie, Prototypes, La Poésie de Liliane Lijn".
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Women Concrete Poets Who Pushed Against the Limits of Language
Hyperallergic covers the anthology Women in Concrete Poetry: 1959-1979, which include Liliane Lijn's series Neurographs.
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Early Events: Five Narrative Sculptures, 1996 – 2000
Summerhall, 2017
Catalogue published on the occasion of the exhibition Liliane Lijn
Early Events: Five Narrative Sculptures
Curated by Gabriella Daris
Summerhall, Edinburgh
2nd August – 24th September 2017
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Catalogue published on the occasion of the exhibition Liliane Lijn
Early Events: Five Narrative Sculptures
Curated by Gabriella Daris
Summerhall, Edinburgh
2nd August – 24th September 2017
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Liliane Lijn: Early Work, 1961-69
RCM Galerie, 2015
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Earth Body Art
Museo Civico di Santa Croce, Umbertide, Italy, 2013
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Cosmic Dramas
mima, Middlesbrough Institute of Modern Art, 2012
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ATOMNOTES by Liliane Lijn
Published by Piece of Paper Press
14th September 2010
In 1967, inspired by analogies formulated from her scientific readings, between the structure and behaviour of matter with that of human beings, Liliane Lijn began writing them down in her notebook under the heading Atom-Man Notes.
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