Shimmering, 2024

The kinetic sculpture, Shimmering by Liliane Lijn was commissioned by Haus der Kunst in Munich for the Arise Alive exhibition in 2024 which then toured to mumok in Vienna and Tate St Ives in the UK.
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Temenos, 2021

The Light sculpture was installed in Granary Square, King's Cross, London, December 2021 to February 2022; and in Lewis Cubitt Square, London, November 2025 to March 2026.
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Catastrophic Encounters, Liliane Lijn’s sculptural series 2019-2020

The series of 16 works created by a process involving molten glass poured onto Vapourshield—a mica and stainless steel composite—creating cratered, fossil-like structures that mimic macrocosmic events. Catastrophic Encounters exemplifies Lijn’s interest in the life of different materials and how they inter-react.
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Gravity’s Dance, 2019

The kinetic sculpture Gravity's Dance emerged from Liliane Lijn's artist residency at EGO, the European Gravitational Observatory, in Pisa.
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Converse Column, commissioned by Nexus, Leeds University, 2019

Nexus, Leeds University has commissioned the permanent installation Converse Column.

A nine-meter high revolving column of transforming words, Converse Column is sited adjacent to Nexus, the University’s new centre, designed to inspire collaboration and innovation with real world impact.
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Cosmic Sea I, 2019

Lijn's sculpture created from molten glass poured onto Vapourshield (stainless steel and mica), and set into epoxy resin.
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Antidote Box, 2018

A sculpture produced for the 3rd International Mykonos Bienniale, titled 'Trans Allegoria' curated by Lydia Venieri.
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Crystal Koan, 2018

Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. They are a continuous theme in Lijn’s work.
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Who Will Say, 2011

Poemdrums are related to Lijn’s early work with text, Poem Machines (1962). Like the Poem Machines, they spin, disengaging words from the composed text.
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Glass Feet, 2011

Poemdrums are related to Lijn’s early work with text, Poem Machines (1962). Like the Poem Machines, they spin, disengaging words from the composed text.
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Dark Matter, 2011

Poemdrums are related to Lijn’s early work with text, Poem Machines (1962). Like the Poem Machines, they spin, disengaging words from the composed text.
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Essential Forest, 2011

Poemdrums are related to Lijn’s early work with text, Poem Machines (1962). Like the Poem Machines, they spin, disengaging words from the composed text.
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Am I Who, 2010

Whether Lijn work with a poet’s words or her own text, she wants the words to float into the viewers mind in continually changing sequences. Meaning, like a river, is always in flux.
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Faster Than Birds, 2009

Poemdrums are related to Lijn’s early work with text, Poem Machines (1962). Like the Poem Machines, they spin, disengaging words from the composed text.
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