Liliane Lijn

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All 16 /Work 16

Mountain Koans (Striped Koans), 2009/14

Liliane Lijn has created sculptures based around the form of the koan since the sixties. This body of work, within her whole practice, is subject to great variety and subtlety.
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Memory, 2014

In 1993, Lijn designed a series of carpets she called Words to Walk On, all using collaged and cut-up words. Meaning and pattern interweave and are altered by the direction from which the rug is approached or seen.
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Crossing Map (Performance), 2011 / 2014

Liliane Lijn read the entire 15 Songs of her visionary book Crossing Map for Resonance 104.4 FM in collaboration with sound artist Sharon Gal.
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Magma Clasp Belt, 2013

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Peace Koans, 2013

Liliane Lijn has created sculptures based around the form of the koan since the sixties. This body of work, within her whole practice, is subject to great variety and subtlety.
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The Dance, 2013

Model for a performing sculpture, shortlisted for the 4th Plinth, Trafalgar Square, London.
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Lunar Cuff, 2009 – 2012

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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The Paestum Collages, 2012 –

The Paestum Collages look at the imagery of ruins as fragmented memories and interleave them with a mythology of heavy industry.
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Glass Wave Plates, 2012

Lijn has used glass in her work, since the 1960’s. The Glass Wave Plates were originally made as playful experiments, while she was working on her Torn Heads series at the Hergiswil Glasi in Switzerland.
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Cosmic Fragments, 2012

Cosmic Fragments exemplifies Lijn’s interest in the life of different materials and how they interreact.
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Caution Matter, 2012

Caution Matter is an immersive moving image presentation that explores connections between invisible energies, latent both in ancient archetypes and myths and in the huge diversity of transformational technologies operative today.
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Light Pyramid, 2012

Commissioned by MK Gallery and Milton Keynes Parks Trust as a sculpture beacon. Geometry and Light are the guiding threads of Lijn's work. The central concept of this sculpture is that of energy held within matter.
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Solar Beacon, Golden Gate Bridge, 2012

Solar Beacon is a sci-art installation on top of the two towers of the Golden Gate Bridge that reflects the Sun's light throughout the San Francisco Bay Area, celebrating the man-made structure's 75th anniversary. It is a white-light variation of Solar Hills, the ongoing collaboration between John Vallerga and Liliane Lijn to delineate the horizon with point of spectral light. Observers of Solar Beacon will see two points of white light, one on each tower top, that are as bright as the Sun, but much smaller in size.
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Cosmic Fragments IV (Burnt Offering), 2012

The series Cosmic Fragments exemplifies Lijn’s interest in the life of different materials and how they interact.
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Lava Flow Cuff, 2011

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Meteor Cuff, 2007 – 2011

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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