Memory, 2014

In 1993, Lijn designed a series of carpets she called Words to Walk On, all using collaged and cut-up words. Meaning and pattern interweave and are altered by the direction from which the rug is approached or seen.
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Magma Clasp Belt, 2013

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Peace Koans, 2013

Liliane Lijn has created sculptures based around the form of the koan since the sixties. This body of work, within her whole practice, is subject to great variety and subtlety.
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Lunar Cuff, 2009 – 2012

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Glass Wave Plates, 2012

Lijn has used glass in her work, since the 1960’s. The Glass Wave Plates were originally made as playful experiments, while she was working on her Torn Heads series at the Hergiswil Glasi in Switzerland.
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Caution Matter, 2012

Caution Matter is an immersive moving image presentation that explores connections between invisible energies, latent both in ancient archetypes and myths and in the huge diversity of transformational technologies operative today.
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Light Pyramid, 2012

Commissioned by MK Gallery and Milton Keynes Parks Trust as a sculpture beacon. Geometry and Light are the guiding threads of Lijn's work. The central concept of this sculpture is that of energy held within matter.
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Solar Beacon, Golden Gate Bridge, 2012

Solar Beacon is a sci-art installation on top of the two towers of the Golden Gate Bridge that reflects the Sun's light throughout the San Francisco Bay Area, celebrating the man-made structure's 75th anniversary. It is a white-light variation of Solar Hills, the ongoing collaboration between John Vallerga and Liliane Lijn to delineate the horizon with point of spectral light. Observers of Solar Beacon will see two points of white light, one on each tower top, that are as bright as the Sun, but much smaller in size.
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Lava Flow Cuff, 2011

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Meteor Cuff, 2007 – 2011

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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