
Pointed Meteor Cuff, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Meteorite Rings, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Koans, 2008
Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Liquid Reflections Revisited, 2008
A composite set of four TFT LCD screens. Both digital stills and animation were the work of Richard Wilding.
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Magma Necklace, 2008
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Burma Requiem, 2008
These images are Lijn's memories of a country, its people and culture, past and present.
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Mars Koan, 2008
Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Clear Red Koan, 2008
Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Acid Lava Koan, 2008
Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Clear Light Koan, 2008
Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Three Line Koan, 2008
Koan is a Japanese word for a paradoxical riddle given to young Buddhist monks as aids for meditation. Koans are a continuous theme in Lijn’s work.
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Ruins of Kasch, 2008
The title of this work is taken from The Ruin of Kasch by Roberto Calasso, a book about the history of sacrifice.
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Heavenly Fragments, 2008
A disc and a cone of aerogel have broken into fragments. Each installation is an attempt at renewal but can only represent a fragmented memory, a ruin.
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Magma Cuff, 2007
Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Lost Koan, 2007
The title for this work has a dual meaning, referencing, as it does, two quite different matters.
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