Veiled, 2020

Referencing both tribal architecture and a veiled female presence, Veiled’s form recalls the conical skeleton of a thipi (or tipi), a tent traditionally made of animal skins draped on wooden poles.
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Power Hanky, 2020

Made during the peak of the coronavirus pandemic, this LRRH_ Contribution edition is a tribute to an almost forgotten accessory of personal hygiene: the handkerchief.
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Gravity’s Dance, 2019

The kinetic sculpture Gravity's Dance emerged from Liliane Lijn's artist residency at EGO, the European Gravitational Observatory, in Pisa.
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Converse Column, 2019

Nexus, Leeds University has commissioned the permanent installation Converse Column.

A nine-meter high revolving column of transforming words, Converse Column is sited adjacent to Nexus, the University’s new centre, designed to inspire collaboration and innovation with real world impact.
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Fossil Twist, 2018/2019

Lijn intends her jewellery to be worn, as if one were moulding a clod of ‘glebe’ to a part of one’s body. She wants people to wear the earth.
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Cosmic Sea I, 2019

I am interested in the behaviour of different materials and how they interact with each other. Cosmic Fragments are traces of a collision between an ancient material, glass, and a new composite material, Vapourshield, designed to prevent metal vapour from passing through the walls of the crucible in induction furnaces.
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Sunstar, 2018

Sunstar is a large-scale interactive solar installation in the landscape that makes the solar spectrum visible as a brilliantly clear light on the horizon, just at the meeting point of earth and sky.
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Antidote Box, 2018

A sculpture produced for the 3rd International Mykonos Bienniale, titled 'Trans Allegoria' curated by Lydia Venieri.
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